Friday 9 August 2013

The Comic Workplace



Advertising giant Wieden + Kennedy’s have installed a monochrome 2D office in the window of their London Headquarters, made entirely from card. The pop-up, comic-like workspace has everything from a working desk lamp, the ubiquitous office plant and filing cabinets, to more surreal elements such as a clock that goes backwards and a phone that constantly rocks from side to side, plus a rather ironic waste paper bin. It even has a typewriter fascia on the desk, no doubt to hide an otherwise out-of-place laptop. 





Employees of the agency will take turns to work inside the Real Life at Work installation, allowing passersby to see what they're up to. You can also watch whoever currently inhabits the window via a live video link at http://www.reallifewk.com/



Thursday 1 August 2013

The Ultimate Elegant Office

We have to say we are blown away with this contemporary office design in São Paulo, Brazil. A stark white interior decorated with eclectic, grandiose items, from ornate gold chandeliers to a white grand piano, create a space akin to an opulent townhouse or boutique hotel, or even an haute couture personal shopping suite – anything but a small office for a start-up brand design consultancy.



School/SS99 comprises a seven-strong workforce, all branding experts who left behind long-held positions at top advertising agencies to try something different. Its aim is to design a complete, coherent brand package for its clients, so it was vital that its own brand, from website to office space, was equally seamless.



The agency’s entire identity is based on the work of fashion designer Alexander McQueen, specifically his spring/summer 1999 collection (hence the firm’s mouthful of a name), thus the brand colours are black, white and gold, and its aesthetic is a mix of contemporary and traditional luxury. Consistent with this theme, the founders initially set out to find an office setting that was far removed from the cliches of a traditional, corporate setting, instead seeking a small, intimate space that, Hayashida says, was more like a London home. They found this 1950s house and stripped back many modern additions in order to create a blank canvas with character.
When it came to decoration, they didn’t do anything by halves. Absolute dedication to their McQueen theme saw Nogueira travel to New York and London sourcing unique items, such as vintage chandeliers and other golden details such as taps, door handles and even keys, because they just couldn’t find them in Brazil.



In the main entrance hall and meeting space, monochrome tiling covers the floors and brick-pattern white tiling covers one wall, an idea sourced from a New York subway station. The space is dotted with a mix of modern and classic furnishings, like Eames rockers from Vitra, a black Smeg fridge, a Chesterfield sofa that the duo reupholstered in white, and a coffee table made by adding ornate gold legs to a white cuboid top. The aforementioned grand piano, an original Diederichs & Freres from Russia, was reclaimed from a boat in São Paulo and revamped, creating an unintentional Liberace-style flamboyance, helped by fur rugs – added for much-needed cosiness.



The bathrooms are equally dramatic, with black tiles, gold finishes and a cabinet of beautifully packaged, far-too-nice-to-use toiletries, whereas the workspace is less ostentatious, with exposed original wood floors and three walls lined with idea-spurring high fashion magazines. Having said that, the design team does sit on Kartell’s Louis Ghost chairs, designed by Philippe Starck, around an antique Louis XV dining table adorned with Seletti candelabras. But that’s all part of the story School/SS99 is trying to tell. Its office exists as a working example of what the agency wants to achieve.




“One client said it reminded them of London,” says Hayashida proudly, “and another said that it felt like walking into our website. We don’t have much emphasis on interior design in Brazil, so they’re often surprised how an interior can be part of their brand. They come in, and straight away, they get it.”